?calligraphic

calligraphic 發(fā)音

[,k?l?'gr?f?k]

英：　　美：

calligraphic 中文意思翻譯

calligraphic 網(wǎng)絡(luò )釋義

adj. 書(shū)法的；繕寫(xiě)的

calligraphic 短語(yǔ)詞組

1、calligraphic plotter ─── 書(shū)法繪圖器；隨機掃描繪圖機；隨機繪圖儀

2、calligraphic love heart sign ─── 書(shū)法愛(ài)情心跡

3、calligraphic designs ─── 書(shū)法設計

4、calligraphic display ─── [計] 隨機掃描顯示器

5、calligraphic style ─── 筆意

calligraphic 相似詞語(yǔ)短語(yǔ)

1、calligraphical ─── adj.書(shū)法的；繕寫(xiě)的(calligraphic的變形)

2、allographic ─── 異體

3、calligrapher ─── n.書(shū)法家

4、calligraph ─── v.漂亮地手抄，用美術(shù)體書(shū)寫(xiě)

5、calligraphers ─── n.書(shū)法家

6、calligraphists ─── n.書(shū)法家（等于calligrapher）

7、calligraphist ─── n.書(shū)法家（等于calligrapher）

8、cardiographic ─── 心動(dòng)描記的

9、calligraphy ─── n.書(shū)法；筆跡

calligraphic 常見(jiàn)例句（雙語(yǔ)使用場(chǎng)景）

1、Strengthen the Calligraphic Aesthetic Consciousness of Students in Police College ─── 增強公安院校學(xué)員的書(shū)法審美意識

2、The Chinese traditional painting is a development to come out on the calligraphic premise of, Chinese calligraphy oneself is a kind of composing. ─── 中國傳統繪畫(huà)是在書(shū)法的前提上發(fā)展出來(lái)的，中國書(shū)法本身就是一種構成。

3、calligraphic varieties of Chinese characters ─── 古今字理論

4、The other artwork was a calligraphic work of NAFA's founding principal, the late Mr Lim Hak Tai, donated by NAFA alumnus and illustrious contemporary artist, Mr Cheah Thien Soong. ─── 當晚，嘉賓欣賞了由南藝少年兒童藝術(shù)學(xué)校、南藝音樂(lè )系和舞蹈系學(xué)生呈獻的精彩表演。

5、Formation and Significance of Admiration of Tang Calligraphic ─── 唐代尚法書(shū)風(fēng)的形成及其意義

6、Huang Tingjian was one of the representatives of "Shang Yi" calligraphic style in Song Dynasty. ─── 黃庭堅是宋代“尚意”書(shū)風(fēng)的代表人物。

7、The Research Means on Aesthetic Synonym in Calligraphic and Painting Books ─── 古代書(shū)畫(huà)審美同義詞研究方法試探

8、Therefore, during my staying at school, I have passed the tests such as Hard Pen Calligraphic Test, Computer Test and Mandarine Test. ─── 因此在校期間，我通過(guò)了硬筆書(shū)法，計算機，普通話(huà)等的等級考試。

9、Zhang Ai -guo and His Ming- Qing Calligraphic Style ─── 張愛(ài)國與他的明清調書(shū)法

10、The calligraphic innovation based on the specific goal will be realized mainly by the innovation of three hierarchies: "skills", "techniques" and "Tao". ─── 基于特定目標的書(shū)法創(chuàng )新主要通過(guò)書(shū)法作品層、技法層和道這三個(gè)層次的創(chuàng )新來(lái)實(shí)現。

11、With Chinese paintings and calligraphic pieces, you can Beautify your life. ─── 家有中國書(shū)畫(huà)，美化你的生活。

12、The charm of Chinese traditional culture and art should be transferred to tourists while introducing Chinese poetry, painting, calligraphic art, etc. ─── 在有關(guān)中國詩(shī)詞、繪畫(huà)、書(shū)法藝術(shù)等的導游講解中應向游客準確地傳遞文化信息，引領(lǐng)他們感受中國傳統藝術(shù)形式的魅力。

13、Shixiang calligraphic works “Peace”“Dance”“Feeling”by the Chinese revolutionary museum. ─── 1995年6月石翔大師現代耍作品“和”“舞”“情”被中國革命博物館收藏

14、His works were extremely beautiful and had a great impact on China's calligraphic arts.Thus he has been called the “Saint of calligraphy. ─── 他的毛筆字寫(xiě)得非常好，對中國的書(shū)法藝術(shù)有很大的影響，所以被人們稱(chēng)為“書(shū)圣”。

15、The six-stroke character xing (running), for instance, was reduced to a mere two vertical strokes in medieval calligraphic practice. ─── 例如，“行”字本來(lái)有六畫(huà)，但是在古代的書(shū)法技法中卻被簡(jiǎn)化為兩豎筆。

16、The value interests of Chinese paintings are shifted from painterliness to calligraphic quality, and the theoretic framework centered on the aura of ink-brush is established since then. ─── 中國繪畫(huà)的價(jià)值趣味也從繪畫(huà)性轉向了書(shū)法性的表達，并建構起以筆墨韻致為中心的理論框架。

17、calligraphic education ─── 書(shū)法教育

18、China Calligraphic Art Research Inst. ─── 中廈建筑設計研究院中國書(shū)法藝術(shù)研究院。

19、" I was told there were many different calligraphic schools in Chinese calligraphy, could you name some?" ─── 聽(tīng)說(shuō)中國書(shū)法有多種門(mén)派，你能不能給我講一下?

20、The font of the Chinese character in the centre of the maple leaf has been changed into a Chinese calligraphic font to further emphasize Chinese cultural characteristics. ─── 原有的“中”字作了修改,改為用中國傳統的書(shū)法體，更顯出中國文化的特色;

21、calligraphic desplay devicd ─── 受控光束顯示設備

22、The scholastic calligrapher who has accomplished in calligraphic art must have something special,at least with regard to a certain aspect in academic field. ─── 凡是在書(shū)法藝術(shù)方面較有成就的學(xué)者書(shū)家，至少都在學(xué)問(wèn)的某一方面有過(guò)人之處。

23、The era of multiple values has arrived. For calligraphic art, we would like to see various styles and presentations. ─── 多元價(jià)值的時(shí)代已經(jīng)來(lái)臨,對書(shū)法藝術(shù)而言,我們希望看到各種不同的表現方式。

24、Zhang Jianguo and His Calligraphic Works ─── 張建國及其書(shū)法作品

25、calligraphic beauty ─── 書(shū)法美

26、But the seventeenth-century emergence of a style modeled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. ─── 但從17世紀開(kāi)始，由于古代金石銘文的發(fā)掘重現，給書(shū)法的審美趨向帶來(lái)了巨大的變化。

27、The characters in the top line are constructed with a pointed pen (calligraphic tool). ─── 上面一行的字體的書(shū)法原型是一種尖頭的書(shū)法鋼筆。

28、The psychological factors of the subjects have great influence on calligraphic creation. ─── 摘要創(chuàng )作主體的心理因素對書(shū)法創(chuàng )作有重要影響。

29、The calligraphic paint-brushing brings flowing rhythm to the work of mask painting. ─── 書(shū)法用筆的參入，給臉譜繪畫(huà)帶來(lái)了流動(dòng)的節奏。

30、Poly Great Cultural Communication Co., Ltd. is the first calligraphic, painting and cultural broker company ofU. ─── 并與東南亞、歐洲等數十個(gè)國家的美協(xié)院建立了聯(lián)盟關(guān)系。

31、Calligraphic works by their favorite people. ─── 他們最喜愛(ài)的人書(shū)法作品。

32、In ancient books on calligraphy, Chinese men of letters liked to depict the various calligraphic styles as metaphors for natural scenery or phenomena. ─── 在中國古代書(shū)論中，不論是對篆、隸、行、楷，還是對草書(shū)的論述，大多是以自然景觀(guān)或某些現象作比，加以形容和描述，

33、The Original Methods of the Calligraphic Typeface in Pacekage Design ─── 包裝設計中書(shū)法字體設計創(chuàng )意法

34、Ancestor's calligraphic are still extant ─── 手澤猶存

35、Great Art Center provides buyback services for collected works. For collected works provided by calligraphic and painting collectors, we can buy them back through appraisal and evaluation. ─── 國瑞藝術(shù)中心提供藏品回購服務(wù)。對于書(shū)畫(huà)收藏愛(ài)好者提供的藏品,經(jīng)鑒定評估后給予回購。

36、It exposed the nature of the art of calligraphy, of which calligraphic works is materialized form of the author"s emotional experience and its expression. ─── 揭示了書(shū)法藝術(shù)“表情”的本質(zhì),認為書(shū)法作品是作者情感體驗與抒發(fā)的物化形態(tài);

37、Character a miniature calligraphic composition inside its own square frame? ─── 在此句話(huà)中作什么成分?

38、The point with Chinese calligraphic fine essence is pen situation, its form substance than the word, line more lifelike. ─── 中國書(shū)法的精妙之處是筆勢，它比字的結體、線(xiàn)條更加傳神。

39、Viewing from Liu Yang's calligraphic inscriptions for pictures, his traditional Chinese paintings and articles, he is fully aware of that. ─── 從劉陽(yáng)的題畫(huà)書(shū)法，及國畫(huà)、文章看，劉陽(yáng)是深知這一點(diǎn)的。

40、Chinese calligraphic character ─── 中文書(shū)法字

41、Chinese paintings and calligraphic works ─── 中國字畫(huà)

42、Literature-based calligraphy is not a simple calligraphic works any more,but a fused works of the calligraphy and literature with unique aesthetic values. ─── 以文學(xué)作品作為書(shū)寫(xiě)內容而產(chǎn)生的書(shū)法作品,已不再是一件單純的書(shū)法作品,而是一種書(shū)法和文學(xué)藝術(shù)融合為一的共同體,具有獨特的審美價(jià)值。

43、Through the ages, great calligraphers developed representative calligraphic styles of their times. ─── 中國歷代都有大書(shū)法家，其書(shū)法藝術(shù)和風(fēng)格成為所在朝代書(shū)法的典型代表。

44、Calligraphic origin. The characters on the top line have a different construction than the characters on the bottom line. ─── 圖中上下兩行字母有著(zhù)不同的結構，它們來(lái)源于不同的書(shū)法原型。

45、calligraphic aesthetics ─── 書(shū)法美學(xué)

46、calligraphic character ─── 書(shū)體

47、Anhui merchant collectors and dealers in calligraphic works and paintings prospered as never before. ─── 一時(shí)間，蘇州、嘉興、杭州等地成為江南地區藝術(shù)品集散的重要地區。

48、The six-stroke character xing (running), for instance, was reduced to a mere two vertical strokes in medieval calligraphic practice. ─── 比如說(shuō)，“興”有六個(gè)筆畫(huà)，在中古書(shū)法中被簡(jiǎn)化為兩豎。

49、era of multiple values has arrived. For calligraphic art, we would like to see various styles and presentations. ─── 多元價(jià)值的時(shí)代已經(jīng)來(lái)臨，對書(shū)法藝術(shù)而言，我們希望看到各種不同的表現方式。

50、Knot-Tying, Paper Cutting, Balloon, Dough Art, Calligraphic Couplets, and other various arts & crafts. ─── 吉祥繩結、剪紙工藝、趣味氣球、面人泥雕、書(shū)法揮春、各式花藝等。

51、He asked his Prime Minister, Li Si, to unite the eight calligraphic styles that were thriving in other states to create the standardized qinzhuan (Qin-Dynasty seal) script. ─── 他命宰相李斯將當時(shí)的大篆、小篆、刻符、摹

52、The calligraphic innovation based on the specific goal will be realized mainly by the innovation of three hierarchies: "skills","techniques" and "Tao". ─── 書(shū)法傳統對于當代書(shū)法創(chuàng )新具有重要的理論價(jià)值與實(shí)踐價(jià)值.基于特定目標的書(shū)法創(chuàng )新主要通過(guò)書(shū)法作品層、技法層和道這三個(gè)層次的創(chuàng )新來(lái)實(shí)現。

53、The Chinese characters of "Art Gallery" are the great calligraphic master Wu Zuoren's autograph. ─── 吳作人先生親自為本館題寫(xiě)了館名。

54、I know we are going to see some calligraphic works, right? ─── 我知道我們要去看書(shū)法作品對不對？

55、He always finished a calligraphic work in one sweep and, consequently, when reading his calligraphy work, one can feel the momentum. ─── 寫(xiě)起來(lái)一氣呵成，始終一貫，保持一種氣勢，滿(mǎn)眼是"意"，"無(wú)惜是非"。

56、Following the gradual prospering of seal script and clerical script, calligraphic wind of stele school matured as well. ─── 而隨著(zhù)篆隸書(shū)體的逐步繁榮，碑派書(shū)風(fēng)亦走向成熟。

57、Calligraphy can not progress without the influence of tradition, whereas calligraphic innovation is trying to flounce away the bondage held by tradition. ─── 摘要書(shū)法的發(fā)展離不開(kāi)傳統對它施加的影響，而書(shū)法的創(chuàng )新又力圖掙脫傳統對之的束縛。

58、A piece of painting normally consists of the painting itself, calligraphic writing and seal stamps. ─── 一幅畫(huà)通常由畫(huà)、書(shū)法和印章組成。

59、The era of multiple values has arrived. For calligraphic art, we would like to see various styles and presentations. ─── 多元價(jià)值的時(shí)代已經(jīng)來(lái)臨，對書(shū)法藝術(shù)而言，我們希望看到各種不同的表現方式。

60、calligraphic style ─── 書(shū)法風(fēng)格類(lèi)似流暢的書(shū)法的繪畫(huà)風(fēng)格

61、the name of the recipient (as inscribed on a painting or a calligraphic scroll presented as a gift) ─── 上款

62、calligraphic symbol ─── 書(shū)寫(xiě)符號

63、"Purpose in Front of Writing" and "Forgetting Technique Quickly"--On the Creation Psychology of Dynasty Tang Calligraphic Theory ─── "意在筆前"與"忘機興發(fā)"--唐代書(shū)學(xué)之創(chuàng )作心理論

64、I like collecting calligraphic works and paintings. ─── 我喜歡收集字畫(huà)。

65、For calligraphic and painting works purchased from Great Art Center or any of our affiliated galleries, we provide drop-in delivery services at our own expenses. ─── 凡在國瑞藝術(shù)中心及聯(lián)盟畫(huà)廊購買(mǎi)書(shū)畫(huà)作品,我們均提供免費送畫(huà)到家的便捷服務(wù)。

66、Dowsing the Market Charm of Shanghai Calligraphic Works ─── 探尋海派書(shū)法的市場(chǎng)魅力

67、The Differences in Calligraphic Language and Their Aesthetic Value ─── 書(shū)法語(yǔ)言的差異及審美價(jià)值

68、calligraphic display ─── 定向射線(xiàn)顯示器

69、Chinese, the most ancient of living writing systems, consists of tens of thousands of ideographic characters, and each character is a miniature calligraphic composition inside its own square frame. ─── 我也不知這一題的句型結構,但似乎用同位語(yǔ)的觀(guān)念來(lái)解題蠻適合.莫伯伯的解釋帶來(lái)一線(xiàn)曙光,原來(lái)句子是這樣:

70、In Chinese calligraphy, the structure of Chinese characters, changes of line, white and black, the balance, the setting-off and so forth form the aesthetic foundation of calligraphic art. ─── 在書(shū)法中漢字結構、筆畫(huà)線(xiàn)條的黑白對立、牽制、襯托、消長(cháng)等變化來(lái)構成書(shū)法藝術(shù)美的美學(xué)基礎。

71、This study has four a copybook for calligraphy: Writing Junkai scribe line will be three body three will be appointed will Writing zero auspicious calligraphic works. ─── 學(xué)這本字帖有四得:會(huì )寫(xiě)楷隸行三體三得,會(huì )寫(xiě)吉祥語(yǔ)書(shū)法作品一得.

72、calligraphic encode method ─── 字形編碼法

73、Chinese architecture adheres to the calligraphic rules of symmetry and balance, and the design of Chinese gardens, pavilions and temples all reflect the structural rules and rhythms of calligraphy. ─── 中國古代建筑從布局到主體的梁柱結構，都遵循對稱(chēng)、均衡、主從關(guān)系等法則，園林建筑中的含蓄、借景，以及亭、臺、樓、榭追求的空靈、飛動(dòng)等都與書(shū)法密切相關(guān)。

74、calligraphic art ─── 書(shū)法藝術(shù)

75、For this remanent literators, the process of calligraphic composition can be regarded as a pipeline, through which they can express the yearning of their lost state and home. ─── 從明遺民思想的特點(diǎn)、明遺民思想對書(shū)學(xué)審美的影響、遺民書(shū)家當時(shí)影響三個(gè)角度漸次研究遺民思想對書(shū)學(xué)的影響程度。

76、His calligraphic style is unique. ─── 他的書(shū)法風(fēng)格很獨特。

77、Using fine paper, brushes and ink, calligraphers have evolved a richly varied tradition of calligraphic styles, which have been handed down from generation to generation. ─── 書(shū)法家用上乘的紙張，毛筆和墨水逐漸演化成了今天迥異的書(shū)法風(fēng)格，而這些形式，就一代傳給一代了。

78、calligraphic theory ─── 書(shū)論

79、Twenty Choice Calligraphic Inscriptions of Longmen ─── "龍門(mén)二十品"

80、The tokonoma generally holds a calligraphic scroll or painting, along with a bonsai or simple flower arrangement. ─── 壁龕上一般掛著(zhù)一幅書(shū)法，要么一幅畫(huà)，輔以一處盆景，或幾支插花。

81、Reconsideration of Cai Jing's Place in Calligraphic History ─── 對蔡京書(shū)法史地位的再討論

82、It's not the post, for which an actual sheet of paper, touched by the writer and displaying his imperfect calligraphic skills, will end up under the nose of the recipient. ─── 和書(shū)信也不一樣，后者是實(shí)實(shí)在在的紙張，寫(xiě)信人寫(xiě)寫(xiě)涂涂，他那并不完美的書(shū)法技能，最后會(huì )出現在收信人的眼皮底下。

83、Keywords Bao Shichen;Calligraphic thoughts;Phenomenon;Criticize;Epigraphy in Qing Dynasty;Re-study; ─── 包世臣;書(shū)學(xué);現象;批評;清代碑學(xué);重新審視;

84、The calligraphy is a particular art form of our country,and the calligraphic teaching is also an important contents in the education for all-round development. ─── 書(shū)法是我國獨有的藝術(shù)形式,書(shū)法教學(xué)更是素質(zhì)教育中的一個(gè)重要內容。課堂教學(xué)的形式是大學(xué)藝術(shù)教育教學(xué)任務(wù)完成和落實(shí)的主渠道。

85、Admiration of calligraphic styles ─── 尚法書(shū)風(fēng)

86、calligraphic creation ─── 書(shū)法創(chuàng )作

87、calligraphic etching ─── 先用鋼筆和墨水在清潔的銅版上畫(huà)出圖形然后蝕刻的方法

88、Moved by mysterious forces, like dancers in an expressionist ballet, the calligraphic figures dissolve in black space or explode to create serenity in an electric manner. ─── 在他那多重復合的處理手法之下，我們可以清楚地看到，狂草書(shū)法經(jīng)過(guò)激烈的幻變，最終落定在一種靈靜的精神境界之中。

89、A number of them were sent to Hong Kong to research Western design practices and returned with the dream of reconciling what they had seen with China's centuries-old calligraphic tradition. ─── 大部分人被送往香港以研究西方設計原則，并帶著(zhù)融合中國悠久的書(shū)法傳統與所學(xué)西方設計的夢(mèng)想回來(lái)。