1、complies with

complies with發(fā)音

英：　　美：

complies with中文意思翻譯

常見(jiàn)釋義：

照做，遵守

complies with雙語(yǔ)使用場(chǎng)景

1、any nation, including Iran, should have the right to access peaceful nuclear power if it complies with its responsibilities under the nuclear Non-Proliferation Treaty.───這意味著(zhù)，如果一個(gè)信息社會(huì )服務(wù)提供者遵守會(huì )員國的法律涉及第三條的協(xié)調領(lǐng)域，該會(huì )員國成立并免費提供整個(gè)歐洲聯(lián)盟的服務(wù)工作。

2、Not every data structure passing through the different layers of the architecture necessarily complies with this model.───并不是通過(guò)架構的不同層傳遞的所有數據結構都一定遵從這個(gè)模型。

complies with相似詞語(yǔ)短語(yǔ)

1、come up with───提出；想出；趕上

2、come out with───說(shuō)出；發(fā)表；出版；供應，把…投入市場(chǎng)

3、collides with───沖突

4、comes up with───提出；想出；趕上

5、closes with───vt.靠近；接受；答應；以…結束

6、complete with───包括，連同

7、chimes with───與……相一致

2、翻譯高手幫忙

女性要想在社會(huì )公開(kāi)的話(huà)語(yǔ)領(lǐng)地占據“權威”的一席之地，就不得不采用各種方式與社會(huì )權威之間進(jìn)行妥協(xié)。

: Women want to occupy in the open words manor of the society " The authority " One seat,it have adopt various kinds of way and it go on not compromising after authority not social. 就書(shū)信體小說(shuō)——這種女性可以公開(kāi)發(fā)表自己聲音的小說(shuō)形式而言，女性卻最大限度的避免與男性話(huà)語(yǔ)沖突。

On the epistolary novel - -But the speech of novel form of one's own sound that this kind of woman can publish, but women avoid it with the male words conflict maximumly. 如代爾•斯本德所說(shuō)，“男性和女性，公開(kāi)和私下這樣的二元對立之所以得以為繼，就因為社會(huì )允許女性寫(xiě)……

Such as Dyer? Dr.eye: This Germany says then, " man and women, disclosed and such two yuan must think to set against and continue privately, because the society allows women to write 給自己看（例如日記），也為了相互之間傳看，其形式有書(shū)信，顯示才華的小文章，道德論說(shuō)文，還有在家庭范圍內為其他女性而作的趣聞軼事，甚至還有女性為女性而創(chuàng )作的小說(shuō)……女性寫(xiě)給女性的話(huà)語(yǔ)必然限于私人范圍，不會(huì )對男性統治秩序造成麻煩；只有當女性寫(xiě)給男性讀者看，矛盾才由此而生?！?

The words that women write to women must be limited to the private range, will not cause the trouble to the male governance order; Only when women write for male reader to see, so the contradiction is just raw. Dr.eye: ". 11弗吉尼亞•伍爾夫曾這樣說(shuō)道：“凡明智嫻雅的女性都不會(huì )寫(xiě)小說(shuō)，‘然而’，書(shū)信不在此例?！?/p>

11 Virginia? Dr.eye: Woolf has said so: "All wise and refined women can not write novels, however, the letter is an exception.

". 12這里的書(shū)信體小說(shuō)形式就是妥協(xié)的一種方式。

12 epistolary novel forms here are a way of compromise. 對話(huà)語(yǔ)的私人化意味著(zhù)，就在女性為了伸冤報仇可能正需要用到社會(huì )公眾輿論的時(shí)候，出現了私下的解決辦法。

The individual who talks with the language means, just when women may be needing to use the public's public opinion in order to redress a grievance to revenge, the solution privately has appeared.

與其說(shuō)女性的聲音遭到拒斥，不如說(shuō)她們公開(kāi)的聲音遭到拒絕。

It is better to say that their open voice is refused than to say that women's voice is refused to upbraid.

由于受述者不同性別造成同一個(gè)人的作品可以讀出不同的意義。

Cause the work with a person to read different meanings because of different sex of persons who are stated.

當然，《簡(jiǎn)•愛(ài)》沒(méi)有采用書(shū)信體小說(shuō)的模式，但在某種程度上又與其非常相似。

Certainly, Adopt mode, epistolary of novel, but instead of very much similar to a certain extent.

小說(shuō)中多處用“讀者啊”這個(gè)稱(chēng)呼，這里敘述者在某些場(chǎng)合下也是主人公跳出了單單與書(shū)中人物進(jìn)行交流的窠臼，也與讀者進(jìn)行交流。

Use in many places in the novel " Readers " This call, narrators here are protagonists too under some occasions to only jumped out the nest which personages exchanged with the book, exchange with readers too.

“讀者”這個(gè)稱(chēng)呼“加強了把廣大受述者視為親密朋友的意識，與書(shū)信體小說(shuō)中的稱(chēng)呼行為十分相似”，這樣也把小說(shuō)的讀者假想為書(shū)信的接收人。

" readers " The call " is it regard intimate consciousness of friend as not being vast person who state to strengthen, very similar to behavior of calling in the epistolary novel " ,Like this too reader for to receive people letter imagination of novel.

而書(shū)信體小說(shuō)以商討的方式緩和了個(gè)人意愿和群體制約之間的緊張關(guān)系。

And epistolary novel relax personal will and colony restrict nervous relation between by way of discussing.

這樣，《簡(jiǎn)•愛(ài)》也就在社會(huì )權威與個(gè)人意愿之間獲得了平衡，夏洛蒂得以公開(kāi)發(fā)表自己的作品。

Like this, Authoritative to obtain balance between the personal will in society too, Luo Xia the base of a fruit can publish one's own works. 勃朗特的小說(shuō)用第一人稱(chēng)能夠與讀者建立親密的關(guān)系：從友善的開(kāi)篇——我很高興，我從不喜歡長(cháng)途散步——到結尾處秘而不宣的合謀“我把這些事情藏起來(lái)，暗自在心里深思著(zhù)?！?/p>

Whether novel of Brownt can set up the relation intimate with readers with the first person. Dr.eye: From the friendly introductory song - -I am very glad, I never like the long distance to take a walk - -" I hide these things, am thinking deeply about the heart secretly in the conspiracy gone to the ending place to keep secret. Dr.eye: ".

隨著(zhù)經(jīng)歷進(jìn)行，小說(shuō)中的‘我’和假象讀者的位置——唯一有效的位置——就更親密了。 Dr.eye: With going through going on, the positions of false appearance reader and ' I ' in the novel - -Only effective position - -On intimate more terms.

縱觀(guān)整部小說(shuō)，重要的是這種私下里親密的信任，這種坦白的方式：這種描寫(xiě)仿佛是在一封私人信件中，一次私下里的閑談。

Making a general survey of the whole novel, the more important thing is this kind of privately intimate trust, such honest way: This kind of description seems it is in a private letter, chatting privately of once.

13這樣，小說(shuō)在對書(shū)信體小說(shuō)形式摒棄的同時(shí)也體現了對它的回歸，在二者之間找到了一個(gè)良好的黃金分割點(diǎn)。

Such 13, the novel has reflected the return of it too while the epistolary novel form is abandoned correctly, have found a good golden section to click among two.

小說(shuō)的結尾“讀者，我嫁給了他，”這句話(huà)的目的很明顯，就是要把讀者納入到小說(shuō)中去。 Ending " readers " of the novel, I marry he," The purpose of this sentence is very obvious, just bring readers into the novel.

文本的敘述進(jìn)程公然與讀者進(jìn)行交流，在讀者、文本之間創(chuàng )造對話(huà)。

The process of narration of the text is exchanged with readers openly, create and talk among reader, text.

這句話(huà)所包含的情感要靠讀者充分融入其中才能體會(huì )。

The emotion included of this sentence should be fully merged into it and realized by readers. 小說(shuō)的結尾處，簡(jiǎn)•愛(ài)耗盡了激情，顯得很平靜。

The ending place of the novel, Jane? Dr.eye: The love exhausts the passion, seem very calm. “他們結婚了，不同于我們看到的第一次那樣的激烈的痛苦，而是更平靜更高貴。

"They have got married, different from such fierce agony of first time that we see, but more calm and more noble.

無(wú)論肉體還是精神都再也不能使她苦惱不安，她所走過(guò)的雙重苦難歷程都無(wú)所損傷，她既非蕩婦也非修女，而是一位找到了解決古老問(wèn)題的方式的婦女，這個(gè)問(wèn)題強烈地困擾著(zhù)包括維多利亞人在內的許多其它人?！?

No matter human body or spirit can't make her worried and uneasy again all, the double suffering course that she passes by has not been damaged, she is not that a loose woman is not a nun, but a woman who finds the way to solve old problem, this question is perplexing a lot of other people including Victorian strongly.

: ". 14《簡(jiǎn)•愛(ài)》這部作品超越了書(shū)信體小說(shuō)的模式，又多處用“讀者”這個(gè)稱(chēng)呼體現出對書(shū)信體小說(shuō)模式的回歸；書(shū)信體小說(shuō)的人物用“私人的”“私下里”的方式向受述者講述個(gè)人的情感經(jīng)歷，而簡(jiǎn)•愛(ài)用公開(kāi)的親密關(guān)系向讀者坦白自己的生活，二者緊密聯(lián)系卻又不盡相同。

14 This works have surmounted the mode of the epistolary novel, and use " readers " in many places This call embodies return of the epistolary novel mode; Personages of the epistolary novel use " The private one " " privately " Way to stating tell because personal one emotion experience, and the simple? Dr.eye: The love uses the open intimate relation to reader's honest one's own life, but the close connection of two is not the same.

第三章 對家庭女教師故事類(lèi)型的超越與皈依

《簡(jiǎn)•愛(ài)》用略顯張揚的第一人稱(chēng)敘述把自己推到前臺，卻用一個(gè)符號遮蔽了自己的真實(shí)身份；它沒(méi)有采用書(shū)信體小說(shuō)形式，卻用“讀者”這個(gè)稱(chēng)呼拉近了敘述者與受述者之間的距離；它屬于家庭女教師的故事類(lèi)型，但與夏洛蒂•勃朗特之前的這類(lèi)小說(shuō)有所不同，卻也不能完全脫離這類(lèi)小說(shuō)中人物的特點(diǎn)。

Chapter three? Dr.eye: To family's schoolmarm's story type to surmounts and converted to Narrate and push oneself to the front desk with the first person that is slightly publicized apparently, but has covered one's own true identity with a symbol; It has not adopted the epistolary novel form, but use " readers " This call furthers the distance between narrator and person who is stated; Does it belongs to the story type of family's schoolmarm, but and Xia LuoDi? Dr.eye: This kind of novel Brownt is different to some extent, can't also totally break away from personages' characteristic in this kind of novel.

19世紀初期英國形成了“家庭女教師故事”類(lèi)型的小說(shuō)，其中女性追求幸福生活的歷程融合了愛(ài)情小說(shuō)和精神追求型的自傳這兩種小說(shuō)類(lèi)型。

Britain took shape in initial stage of the 19th century " Family's schoolmarm's story " The novel of the type, among them women pursue these two kinds of novel types of autobiography of merging the love novel and spirit pursuing type of the course of happiness life. 《簡(jiǎn)•愛(ài)》以幸福的婚姻結尾，女主人最終愛(ài)情、財富雙豐收。

With the happy marriage ending, hostess' final love, wealth get bumper harvests.

《簡(jiǎn)•愛(ài)》產(chǎn)生之前還有瑪麗•布倫頓（Mary Brunton）的《禁戒》（Discipline），瑪麗•瑪莎•舍伍德（Mary Martha Sherwood）的《卡洛林•莫當》（Caroline Mordaunt）等家庭女教師類(lèi)型的小說(shuō)。Is Mary before producing? Brenton (Mary? Brunton) "taboo give up " ( Discipline) ,Mary?: Martha? Sherwood (Mary? Martha? Sherwood) ( Caroline? Dr.eye: Mordaunt) Wait for the novel of family's schoolmarm's type.

這兩部小說(shuō)的敘述者都是女性，但敘述者都遵循傳統的社會(huì )道德規范和基督教教義，以此來(lái)建構自己權威性的地位。

: Narrators are both women for these two novels, but narrators all follow the traditional social code of ethic and Christianity's religious doctrine, so as to build and construct one's own authoritative position.

雖然都是第一人稱(chēng)敘述，但是仍有很多不同之處。

All narrated by the first person, there is much difference.

這兩部小說(shuō)的敘述者都已經(jīng)多年為人妻，敘述者與她們所講述的人物保持著(zhù)明顯的時(shí)間上的距離，所以她們可以占據道德優(yōu)勢回過(guò)頭來(lái)對年輕人行使教誨的權力，敘事也成了高尚道德的授權。

Narrators have both been wives of people for many years for these two novels, narrator and personage that they tell keep the distance on obvious time, so they may occupy the morals advantage to switch back to the power which young people exercise the teaching, narrating becomes noble and ethical mandate too.

而簡(jiǎn)•愛(ài)不同，她懸擱了某些基督教教義，凸現個(gè)人的生命價(jià)值。

And simple? Dr.eye: It is different to love, she has hung and put some religious doctrines of Christianity, shows personal life value especially.

如海倫•彭斯告誡“要研讀新約全書(shū)，”按基督的話(huà)去做，而她明確表示愛(ài)己所愛(ài)，憎己所憎。

Such as Helen? Dr.eye: Peng Si warns " study New Testament pandect carefully, " Do according to Christ's words, and she expresses clearly the love loves ownly, hates and hates ownly.

如在第12章有關(guān)女性需要自由的論述中， “女人一般被認為是極其安靜的，可是女人也和男人有一樣的感覺(jué)……: If not at chapter 12 it is relevant woman it need argumentation of freedom? "The woman is generally considered extremely quiet, but the woman has the same feeling with man 那也未免太輕率了?！?/p>

15根據上下文來(lái)看，這段敘述應該是主人公的看法，而主人公在當時(shí)的所思所想由敘述者來(lái)闡述應該用過(guò)去時(shí)，而這里卻用了現在時(shí)，就與敘述者的評論界限模糊，二者沒(méi)有明顯的界限和價(jià)值觀(guān)念上的差異。

5 is according to context, the narration should view of protagonist, and when the thinking at that time was explained that should spend the past by narrators protagonist, have used the present tense here, fuzzy with narrators' comment demarcation line, the two do not have obvious demarcation line and difference in idea of value.

這位成年敘述者并沒(méi)有像傳統的女家庭教師小說(shuō)那樣進(jìn)行循循善誘地勸告“對人要寬容，說(shuō)話(huà)要有分寸”，“言辭要平和”等等。

" tolerant to people that this adult narrator has not advised inducing step by step like traditional governess' novel, speaking should have a sense of propriety" ," the words should be gentle " Wait a moment.

獲得一份工作很不容易。 It is very difficult to obtain a job.

為了工作為了生存，家庭教師們在遭到含沙射影的斥責或者當面指責的時(shí)候多數只好保持沉默。 For survive, private teacher including sand projection to reprimand or only kind to keep silent majority when criticizing face to face for work.

埃格尼斯也只能在“得咎”的時(shí)候沉默，因為“她（雇主）把想說(shuō)的全說(shuō)了，但不想聽(tīng)聽(tīng)我的回答?！?Angstrom case Nice can only be here too " Get the fault " When silence,because of "she (employer) The ones that talked wanting had said completely, but does not want to listen to my answer. Dr.eye: ".

而簡(jiǎn)•愛(ài)這個(gè)孩子懂得說(shuō)話(huà)的重要性（Speak I Must），拒絕沉默就是拒絕死亡，她說(shuō)，“我可不是海倫彭斯”。

And simple? Dr.eye: This child of the love understand the importance of speaking (Speak? Dr.eye: I? Dr.eye: Must) ,Refusing silence is to refuse the death, she says, " I am not Helen and Peng Si " .

她明確拒絕了以上帝的名義說(shuō)話(huà)的圣約翰，他代表的是基督教權威對社會(huì )規范的約定，告訴他要她愛(ài)他“這絕對做不到”。

St.Johns where she has refused to speak in the above emperor's name clearly, what he represented is the agreement normal to the society of Christianity authority, tell him wanting her to love him, " this can not be done definitely " .

簡(jiǎn)•愛(ài)就是遵從自己的原則，從而確立自己的身份和地位的。

Jane? Dr.eye: Complies with one's own principle, thus establish one's own identity and position in love.

總的說(shuō)來(lái)，夏洛蒂•勃朗特的寫(xiě)作意味著(zhù)，她在文學(xué)史上地位的確立不僅僅是因為她的超越傳統的敘述方式和女主人公激進(jìn)的言辭，也由于她能夠在既定的社會(huì )權威與個(gè)人的寫(xiě)作方式之間獲得平衡。Generally speaking, Xia Luo the base of a fruit? Dr.eye: Brownt's writing means, her establishment of the status in the history of literature is not merely because she surmounts traditional narration way and woman protagonist's radical words, because she can authoritative to obtain balance between the way with personal writing in set society too. 如同她用匿名發(fā)表作品，她的妥協(xié)是作品能夠發(fā)表的前提，公開(kāi)發(fā)表個(gè)人話(huà)語(yǔ)也是建立在對既定的社會(huì )權威的認同的基礎上。 By publishing the works anonymously like her, compromise of her prerequisite that works can issue, publish personal words to set up in to set society authoritative foundation of approval too.